Tom Cunniffe: JazzHistoryOnline.com

Interview


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Singer, writer, and educator Tom Cunniffe was part of the legendary and unfortunately now-defunct Jazz.com.

He’s captured the spirit of that site and put his own unique twist on it with a unique approach to reviewing the music and shining a light on some of the great music of the past that deserves a second look – or maybe even a first look for some of us. Highly recommended.

Details: JazzHistoryOnline.com

– Ken McCarthy
Jazz on the Tube

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Milcho Leviev – East to West to Back Again

Interview


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Milcho’s Official website: Bio and more info
http://milcholeviev.net/new/en/

Pianist and composer Milcho Leviev was born and raised in Bulgaria in 1937 which means he had the experience of World War II, the Soviet invasion, and a long dictatorship as a child and young man.

Milcho is part of a wave of supremely accomplished musicians from Eastern Europe who’ve made huge creative contributions to jazz over the decades.

Their dedication to the art is epic and perhaps not fully appreciated.

During the Communist times, jazz was, for all practical purposes, a banned music in the Eastern Bloc. Schools did not teach it, public performances were frowned on, jazz records were seized at Customs and pursuing jazz was a potential career-killer for a professional musician.

Still they persisted.

Milcho relates how a small group of dedicated musicians and fans in his country tuned into Willis Conover’s 1 AM Voice of America jazz broadcast with their primitive tape recorders turned on.

The hope was that one of the group would get a relatively clear signal (the program was jammed by authorities) and could share the tape with others. They then laboriously worked together to transcribe the recordings so they could study them.

Why did they love jazz so much? Because it exemplified freedom.

A sampling of where that love of freedom has brought Milcho. Enjoy!

Milcho returns to Bulgaria

With Art Pepper

With Don Ellis

With Bill Cobham

With Dave Holland

Tribute to Voice of America’s Willis Conover

Bulgarian cartoon from the 60s (Jazz in banned in Heaven)

Where Milcho lives now: Thessaloniki, Greece

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
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Bruce Conforth and the real Robert Johnson

Interview


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Musician, educator and historian Bruce Conforth introduces us to the real Robert Johnson.

Far from the one-dimensional “native genius” he is often portrayed as, Robert Johnson was a well read, well traveled, versatile artist whose genius was no accident.

Dead at the age of 26, in his short life Johnson’s art left an indelible mark on American and world music.

Conforth, a guitarist and harmonica player, has been studying Johnson’s life and work for 40 years.

The book is ready! Read all about it here

 

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
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Frank Malloy IV and Soulevate

From South Carolina to Ghana to New York City, Frank Malloy IV and his family have been on a remarkable journey.

After inspiring trips to Ghana, Frank’s parents founded the Harambee Dance Company in Charleston, South Carolina and later brought it to New York City.

Frank, in addition to being a West African Drumming instructor for United Palace of Creative Arts (UPCA) – a stunningly beautiful former movie “palace” at 4140 Broadway (near the A Train stop at 175th Street) – is also the music director of the Harambee Dance Company.

On Saturday, June 25, he’s putting together a showcase at UPCA featuring Les Nubians, Chargeux, the Harambee Dance Company, and ADH.

Details here: Soulevate – a night of jazz, funk and Afropean soul  

Interview


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Exploring the Soundscape: Cuba and Beyond with Verna Gillis

If you’re interested in world music, you probably have experienced the impact of Verna Gillis’s work.

From 1972 to 1978 she recorded music in Afghanistan, Iran, Kashmir, Cuba, Haiti, the Dominican Republic, Peru, Surinam, and Ghana.

Twenty-five of her recordings have been released by Smithsonian Folkways and Lyrichord.

In 1979, she opened Soundscape in New York City, long before the concept of “world music” was popular.

In this interview we talk about Verna’s field recordings in Cuba in the 1970s and her work with Cuban musicians in New York in the early 1980s.

Interview


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Gems from Verna’s Soundscape archive

Daniel Ponce Latin Jazz Jam
“Caravan” – June 23, 1981


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Celia Cruz and band: Daytime rehearsal
“Hay Caridad” – November 18, 1985


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Siboney – Daniel Ponce
New York is Now! (1983)

Basta de Cuentos’
From “New York Now” by Daniel Ponce

Liner notes from the Folkways album “Music of Cuba” referenced in this interview: Music of Cuba liner notes.

You can learn more about Verna’s work here.

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Go to Cuba with Jazz on the Tube as your guide:
Click here for details

Horns to Havana

Interview


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Jazz on the Tube’s Ken McCarthy talks with Jana La Sorte, managing director of Horns to Havana.

This wonderful organization brings much needed musical instruments to Cuba and arranges education and exchange programs for young Cuba musicians.

For more information, click here: Horns to Havana

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

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