The country roots of jazz legend Charlie Haden

A track from Charlie’s album “Rambling Boy” (title track)

“Ramblin'” with Ornette Coleman

Charlie and the Portugal concert

A talk by Charlie Haden

– Ken McCarthy
Jazz on the Tube

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Yes, country and jazz music are cousins


Note: The eye-opening article by Geoffrey Himes to which I referred is here: “Jazz and Country Fusion: The Searchers.”

Two supplementary videos below

Country Jazz Guitarists – A compilation by Ment Morris

Guitarists:

George Barnes
Chet Atkins/Les Paul
Jimmy Bryant
Roy Nichols
Hank Garland
Leon Rhodes
Jimmie Rivers
Andy Reiss
Redd Volkaert
Jim Campilongo

The Jazz on the Tube video that got this conversation started

Related Jazz on the Tube podcasts

Vic Hobson, barbershop quartet, and the education of Louis Armstrong
https://www.jazzonthetube.com/vic-hobson-and-the-roots-of-louis-armstrongs-music/

“Country” Eddie Durham was one of the key quarterbacks of the swing
https://www.jazzonthetube.com/ed/

Ornette and the Texas Hillbillies
https://www.jazzonthetube.com/ornette-in-amarillo/

When Robert Johnson played that Italian wedding in Newark
https://www.jazzonthetube.com/bruce-conforth-and-the-real-robert-johnson/

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

The country church people roots of American music

Related Jazz on the Tube podcasts

Vic Hobson, barbershop quartet, and the education of Louis Armstrong
https://www.jazzonthetube.com/vic-hobson-and-the-roots-of-louis-armstrongs-music/

“Country” Eddie Durham was one of the key quarterbacks of swing
https://www.jazzonthetube.com/ed/

Ornette and the Texas Hillbillies
https://www.jazzonthetube.com/ornette-in-amarillo/

When Robert Johnson played that Italian wedding in Newark
https://www.jazzonthetube.com/bruce-conforth-and-the-real-robert-johnson/

A look at the raw numbers…

America was mostly rural until the 1920s

Note: The dramatic shift in percentage starting in the late 19th century was contributed to significantly by mass immigration from central and southern Europe which centered on the cities.

Year            Urban        Rural

1800           6%               94%

1840           11%             89%

1860           20%             80%

1880           28%            72%

1900            40%            60%

1910            46%            54%

1920            51%            49%

1990            75%            25%

2020            80%            20%

Church people

As recently as 1938, three out of every four Americans had a formal affiliation with a local church. As of 2020, it’s now less than one out of two. In the 19th century, African Americans were very active in forming their own churches which became important social and political organizations as well as spiritual ones.

Media evolution

The dates various media technology were first introduced.

Keep in mind it often took years, in many cases decades, for some of these technologies to become commonplace.

1860 – silent films
1877 – recorded music
1895 – radio
1896 – player piano
1906 – audio amplifier
1927 – sound films
1927 – television
1928 – magnetic audio tape
1954 – portable radios/transistor radio
1991 – the world wide web

To put this in context, obviously, there was no such thing as the Internet, TV, or portable music in pre-1920s America, but even things like radio and recorded music were either in their infancy or hadn’t gotten mass popularity traction yet. And there was no such thing as nightclub culture for the overwhelming majority of Americans.

For all practical purposes, in the crucial formative years of America’s music culture, all music was live, acoustic, and without amplification of any kind and the venues for music were: 1) the home, 2) the church, and 3) local social events like parades, community picnics, and dances.

From those humble beginnings, which included a great deal of communication across communities, the foundation of American music was set.

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

George Benson on Wes

Enjoy this absolute treasure of a story. (7 minutes)

George Benson tells how his teenage self was inspired by hearing Wes Montgomery and the big lift he got from Buddy Montgomery.

This video is from the YouTube channel “Further Wes Bound.”

Straight from the man himself

Wes Interview – Part One

Wes Interview – Part Two

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Offbeat with Jan Ramsey

Check out Offbeat Magazine here. 

 

Support OffBeat Magazine here

 
– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Music credit: The Jazz on the Tube podcast theme song is “Mambo Inferno” performed by The Manhattan School of Music Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria from the CD ¡Que Viva Harlem!

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