It should be called Nuestra HERMOSA Cosa Latina (Our BEAUTIFUL Latin Thing)
Directed by Leon Gast (who went on to make “When We Were Kings”) and produced by Fania Records.
I had the great good fortune to grow up partially in the Bronx in the 1970s and this music and the energy it created was everywhere.
I was too young to go to the clubs, but this great music was the background of my life.
How wonderful that someone captured it. This was one of the greatest flowerings of creative music in New York City’s history – and that’s saying a lot!
Gest says the film was short entirely on the Lower East Side with the exception of the club footage which was shot at Cheetah’s which was located at Broadway and 53rds Street in Manhattan.
The Track List
1. Estrellas de Fania (Practice) – Fania All Stars (4:11)
2. QuÍtate Tú – Fania All Stars (9:40)
3. Anacaona – Fania All Stars (19:08)
4. Ponte Duro – Fania All Stars (31:10)
5. Abran Paso I – Larry Harlow Y Su Orquestra con Ismael Miranda (43:40)
6. Abran Paso II – Larry Harlow Y Su Orquestra con Ismael Miranda (48:07)
7. Lamento De Un Guajiro – Larry Harlow Y Su Orquestra con Ismael Miranda (51:05)
8. Estrellas de Fania – Fania All Stars (1:12:05)
– Ken McCarthy
Jazz on the Tube
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“Kenya (feat. Candido)”
Bobby Sanabria & Manhattan School Of Music Afro-Cuban Jazz Orchestra
Kenya Revisited Live! (feat. Candido) 2009 Jazzheads
“Conga Jam”
Candido
Hands of Fire (Manos de Fuego): 60 Years of Cuban Music Exuberance
2010 Latin Jazz Records
“Different Bells”
Billy Taylor
Billy Taylor Trio with Candido Prestige
“Cheek to Cheek”
Candido Camero
Candido
1956 The Verve Music Group, a Division of UMG Recordings, Inc.
“Perdido”
Candido Camero
Candido
1956 The Verve Music Group, a Division of UMG Recordings, Inc.
“Candido’s Camera”
Candido Camero
Candido
1956 The Verve Music Group, a Division of UMG Recordings, Inc.
“So Beats My Heart for You”
Tony Bennett
The Beat of My Heart
Originally Recorded 1957 SONY BMG MUSIC ENTERTAINMENT. Originally Released 1957 SONY BMG MUSIC ENTERTAINMENT. WARNING: All rights reserved. Unauthorized duplication is a violation of applicable laws.
“Wild Jungle (2000 Remastered Version)”
Machito
Kenya
2000 Parlophone Records Ltd, a Warner Music Group Company
“Jungoso”
ARTIST:Sonny Rollins
ALBUM:What’s New?
LABEL:℗ 1962, All Rights Reserved by BMG Music
“Take More Candi”
Candido
Snowboy Presents: Afro Cuban Kaleidoscope
This Compilation ℗ 2008 Craft Recordings, a division of Concord Music Group, Inc.
“Pinebo (My Story)”
Ellen McIlwaine
Up from the Skies: The Polydor Years
This Compilation ℗ 1998 The Island Def Jam Music Group
“Jimmy Jean”
Ellen McIlwaine
Up from the Skies: The Polydor Years
This Compilation ℗ 1998 The Island Def Jam Music Group
“Busca El Alfiler”
Alfredo Valdes
Pionero Del Son
2007 Cobo Music Inc.
“Wild Jungle (feat. Candido)”
Bobby Sanabria & Manhattan School Of Music Afro-Cuban Jazz Orchestra
Kenya Revisited Live! (feat. Candido) 2009 Jazzheads
“The Five Year Plan (feat. Kari-B3)”
Benjamin Lapidus
Ochosi Blues (feat. Kari-B3)
2014 Benjamin Lapidus
“Mayeya”
Candido
Hands of Fire (Manos de Fuego): 60 Years of Cuban Music Exuberance 2010 Latin Jazz Records
“Manteca”
Bobby Sanabria Big Band
Afro-Cuban Dream: Live & in Clave! 2006 Arabesque Recordings
“Que Viva Candido!”
Bobby Sanabria Big Band
Multiverse
2012 Jazzheads, Inc.
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
And the tres. From Andalusia. Moorish Spain…also Africa.
New Orleans piano “professor” and lover of Cuban music Jon Clear shows how the tres laid down the foundation for Cuban piano which laid down the foundation for the New Orleans sound.
This is part of Jon’s WONDERFUL live stream series.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
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A lot of people talk about the connections between New Orleans and Cuba.
They are deep and real.
Havana actually ran New Orleans when the place was owned by the Spanish 1762 to 1803 and built big parts of the “French” Quarter.)
Anyway, the history is undeniable and so are the “look and feel” similarities of the two places (and they are even stronger in Santiago de Cuba on the islands eastern Haitian-facing side.)
But the devil is in the details.
What’s the modern MUSICAL link?
Jon Cleary shares a little known connection between Professor Longhair and Perez Prado.
“Fes” is Professor Longhair and Professor Longhair is one of a small handful of innovators who can be credited with laying down the roots of rock and roll and funk for that matter.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
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Jane Bunnett and and her husband Larry Kramer have provided the gateway to the larger world for countless young Cuban musicians.
Being from Canada helps. Unlike those of us from the “Land of the No-So-Free”, they’ve been able to travel back and forth to Cuba providing support to the musicians there uninterrupted for over 25 years.
This is Jane’s latest band that includes at least two super stars from the new generation: Daymé Arocena, vocals and Yissy García, drums and super stars to be, some of whom received their introduction to the jazz idiom from Jane: Melvis Santa, vocals & percussion; Mary Paz, congas & vocals. Danae Olana, piano: and Tailin Marrero, acoustic & electric bass.
See them while you can. The jackasses in Washington are making it brutally difficult for Cuban musicians to tour in the US.
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
