The kids from ENA

ENA is Cuba’s secondary school conservatory.

Thanks to the dedication of Camilo Moriera, a new generation of Cuban musicians is being introduced to jazz.

The tune arranged and conducted by Camilo is a Cuban classic “Son de la Loma.” It translates “They’re from the hills”

Makes me homesick.

We’ve featured Camilo’s work on these pages.

Camilo’s Jazz on the Tube sponsored trip to New York City
jazzonthetube.com/camilo-moreira-in-the-bronx/

Jazz on the Tube visits Camilo in Havana
jazzonthetube.com/visiting-with-camilo/

Camilo Moreira -Jazz Educator in Havana
jazzonthetube.com/camilo-moreira-jazz-educator-havana/

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Go to Cuba with Jazz on the Tube as your guide:
Click here for details

Joe Conzo plays records – Machito,Tito Puente, Ray Barretto

Few thing are more fun than listening to records with a knowledgeable person who loves the music.

Jim Eigo, veteran record man, and proprietor of Original Vinyl Records in Warwick, NY, host listening sessions with experts which he videotapes.

So even if you can’t make it to Warwick, you can sit in here via the magic of the Internet.

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Go to Cuba with Jazz on the Tube as your guide:
Click here for details

The making of Machito’s “Fireworks” – Harvey Averne

Nominated for the 1977 Grammy Award


Music featured in this program

00:00 Macho (First Movement)
10:50 Soy Salsero
21:04 Mi Rito Llego
28:28 Despierta Boricua
36:22 Macho (Second Movement)


Liner Notes

Side A

Mi Ritmo Llego * (Guaguanco/4:55
(My Rhythm is Here)
(Ubaldo “Lalo” Rodriequez) (Coco Mus./BMI)
(Arr: Ray Santos)

Desilusion * (Bolero/3:45
(I’m Disillusioned)
(Ubaldo “Lalo” Rodriequez) (Coco Mus./BMI)
(Arr: Ray Santos)

Despierta Boricua ** (Son Montuno/4:15
(Wake up Puerto Rican)
(Frank “Machito” Grillo)) (Coco Mus./BMI)
(Arr: Lito Pena)

Guaguanco a Mexico * (Guaguanco/4:17
(Guaguanco for Mexico)
(Ubaldo “Lalo” Rodriequez) (Coco Mus./BMI)
(Arr: Elias Lopez)

No Seras Para Mi * (Bolero/3:29
(You’ll Never Be FOR Me)
(Grecia Domenech) (R.R.)
(Arr: Jorge Millet)

Side B

Macho ** (Instrumental) (Descarga)/13:00
(My Rhythm is Here)
(Jorge Millet) (Coco Mus./BMI)
(Arr: Jorge Millet)

Soy Salsero ** (Son Montuno)/7:00
(I Sing Salsa)
(Frank “Machito” Grillo)) (Coco Mus./BMI)
(Arr: Jorge Millet)

PRODUCED BY HARVEY LAVERNE

Organ and Acoustical Piano Solo “Macho” / Charlie Palmieri
Piccolo Trumpet Solo “Macho” / Lew Soloff
Timbales Solo “Macho” / Nicky Marrero
Electric Piano “Macho” / Jorge Millet
Alto Sax Solo “Macho” / Bobby Porcelli
Electric Guitar “Macho” / Harry Vigiani
Bata Drums “Macho” / Julito Collazo, Angel “Cachete” Maldonado, Hector “Flaco” Hernandez
Trumpet Solo “Soy Salsero” / Victor Paz
Trombone Solo “Mi Ritmo Llego” / Barry Roger

Recording Studio / Plaza Sound
Recording Engineer / Rob Freeman
Overdub Engineer / Don Hunerberg
Mixed at / Blank Tapes
Mixed by / Harvey Averne
Mix Engineer / Bob Blank
Mastering / Jose Rodriguez
Photography and Album Design / Hal Wilson

1st Session *

Leader / Frank “Machito” Grillo
Director – Percussion / Mario Grillo
Vocals / Lalo Rodriguez
Conductor / Jorge Millet
Piano / Ray Coen
Trumpets / Paul Cohen, John Faddis, Tony Cofresi, Wyman Reed
Trombones / Barry Rogers, Leo Pineda
Alto Saxophone / Lennie Hambro
Tenor Saxophones / Mario Rivera, Jose Madera
Baritone Saxophone / Leslie Jonakins
Bass / Jose Santiago
Maracas / Ismael Quintana
Bongos / Tommy “Chuckie” Lopez
Conga / Johnny “Dandy” Rodriguez
Timbales / Nicky Marrero
Coro / Machito, Adalberto Santiago, Ismael Quintana, Chivirico Davila

2nd Session **

Leader / Vocals / Frank “Machito” Grillo
Director – Percussion / Mario Grillo
Conductor / Jorge Millet
Piano / Charlie Palmieri
Trumpets / Victor Paz, Lew Soloff, Tony Cofresi, Charlie Camilleri
Trombones / Barry Rogers, Sam Burtis
Alto Saxophone / Bobby Porcelli
Tenor Saxophones / Lou Orenstein, Mauricio Smith
Baritone Saxophone / Mario Rivera
Bass / Andy Gonzalez
Maracas / Ismael Quintana
Bongos / Tommy “Chuckie” Lopez
Conga / Johnny “Dandy” Rodriguez
Timbales / Nicky Marrero
Coro / Lalo Rodriguez, Ismael Quintana, Victor Velazquez

Special thanks to Victor Paz, Jorge Millet, Mario Grillo, Doug Jones


Translation of “Macho” – First Movement

The singer is Machito.

Machito and the musicians, especially the bata drummers, are evoking the Orisha.

“ ‘Boru ‘buya,” a contraction of the Yorùbá-Cuban greeting “ìbo rú di (ì)’bo ye,” routinely bestowed upon high priests, or babalawo in Cuba. The phrase’s literal meaning is: “The sacrifice that is carried becomes the sacrifice that is suitable.” (Source: “Machito and His Afro-Cubans: Selected Transcriptions”)

“Ashe. Mucho ashe.” – Creative force. Much creative force.

“Suerte y salud para todos mis hermanos.” – Luck and health to all my brothers.

Elegua – Orisha of beginning, of crossroads, of doorways, of fate

Babalu Aye (San Lazaro) – Orisha of the healing spirit, protector of the weak and the ill

Yemaya – Orisha of the Ocean’s surface, of love, fertility and family

Shango – Orisha of thunder, drumming, dancing, fire and male virility

Oshun – Orisha of beauty and sexuality

Obatala – Sky Father and creator of Orishas and human beings, rules all



Great news!

You can now watch this video – and all Spanish language videos – with English subtitles. It’s free!

Click here for instructions on how to turn on English subtitles.

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Go to Cuba with Jazz on the Tube as your guide:
Click here for details

The Pedrito Martinez Group – Tuve Una Revelación

From Tiny Desk Concerts, one of the best things NPR does.

Recent work from the Pedrito Martinez Group…

“Tuve Una Revelación” (I had a revelation)

Medicina para el alma en el siglo XXI.


Great news!

You can now watch this video – and all Spanish language videos – with English subtitles. It’s free!

Click here for instructions on how to turn on English subtitles.

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Go to Cuba with Jazz on the Tube as your guide:
Click here for details

Remembering Arsenio Rodríguez – Maestro de maestros

Rene Lopez pays tribute to Arsenio Rodríguez (Ignacio de Loyola Rodríguez Scull) born Güira de Macurijes, Matanzas, Cuba, August 30, 1911.

The Arsenio piece that Lopez refers to in his talk: “Yo Nací en África” (“I Was Born in Africa”)

A tasty instrumental version of “Bruca Manigua” recorded in 1963. Ffrom the album “La Magia de Rodríguez”

And while we’re at it, why not the original 1937 recording with Miguelito Valdés and Casino de la Playa?

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Go to Cuba with Jazz on the Tube as your guide:
Click here for details

The cats in Havana – 1977

The year: 1977.

The place: La Habana, Cuba.

President Jimmy Carter thawed the freeze between the United States and Cuba a bit by allowing a boatload of American musicians to travel to Havana to perform with Cuban musicians, the first such officially sanctioned visit since 1961.

Check out the young, very serious and (very thin) Arturo Sandoval and Paquito D’Rivera.

Smoking hot!

Personnel:

Dizzy Gillespie, leader and trumpet
Arturo Sandoval, trumpet
Stan Getz, saxophone
Paquito D’Rivera, saxophone
David Amram, french horn
Ronnie Jones, guitar
Ben Brown, bass
Oscar Valdes, chekeres
Los Papinesm, congas
Mickey Roker, drums

If anyone knows other musicians not listed, please let me know.

Also, if anyone knows where the rest of the tape is, I’m all ears.

– Ken McCarthy
Jazz on the Tube

P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.

Go to Cuba with Jazz on the Tube as your guide:
Click here for details