Tito at the at Latin NY Music Awards at the Beacon Theater in the 1970s.
The video is a little rough in places and the audio gets very low half way through, but the dancing just gets better!
And the music is smoking hot.
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
My understanding is that this is Bobby’s first full scale production music video.
From an email I received from Bobby in response to a question about his music education in Cuba
“I never studied in any school of music.
All my education comes from other lives that I was living before.
Chucho and Emiliano gave me many tricks.
Arturo Sandoval plunged me deep into the world of the flugelhorn (trumpet too).
Armando Sequeira Romeu: double bass, drums, more chords on piano, and many standards like “Autumn in NY”, “Lullaby of Birdland” and many other tunes, but the more important to be inside in swing.
Pacolo, Tata Gúines and Changuito taught me about congas and the whole of percussion.
In the Musical Theater, Leo Brower and Tony Taño taught me about arranging, orchestration and many things about writing for symphonic formats, etc.”
Quite an education!
Great news!
You can now watch this video – and all Spanish language videos – with English subtitles. It’s free!
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Soy Salsero ** (Son Montuno)/7:00
(I Sing Salsa)
(Frank “Machito” Grillo)) (Coco Mus./BMI)
(Arr: Jorge Millet)
PRODUCED BY HARVEY LAVERNE
Organ and Acoustical Piano Solo “Macho” / Charlie Palmieri
Piccolo Trumpet Solo “Macho” / Lew Soloff
Timbales Solo “Macho” / Nicky Marrero
Electric Piano “Macho” / Jorge Millet
Alto Sax Solo “Macho” / Bobby Porcelli
Electric Guitar “Macho” / Harry Vigiani
Bata Drums “Macho” / Julito Collazo, Angel “Cachete” Maldonado, Hector “Flaco” Hernandez
Trumpet Solo “Soy Salsero” / Victor Paz
Trombone Solo “Mi Ritmo Llego” / Barry Roger
Recording Studio / Plaza Sound
Recording Engineer / Rob Freeman
Overdub Engineer / Don Hunerberg
Mixed at / Blank Tapes
Mixed by / Harvey Averne
Mix Engineer / Bob Blank
Mastering / Jose Rodriguez
Photography and Album Design / Hal Wilson
1st Session *
Leader / Frank “Machito” Grillo
Director – Percussion / Mario Grillo
Vocals / Lalo Rodriguez
Conductor / Jorge Millet
Piano / Ray Coen
Trumpets / Paul Cohen, John Faddis, Tony Cofresi, Wyman Reed
Trombones / Barry Rogers, Leo Pineda
Alto Saxophone / Lennie Hambro
Tenor Saxophones / Mario Rivera, Jose Madera
Baritone Saxophone / Leslie Jonakins
Bass / Jose Santiago
Maracas / Ismael Quintana
Bongos / Tommy “Chuckie” Lopez
Conga / Johnny “Dandy” Rodriguez
Timbales / Nicky Marrero
Coro / Machito, Adalberto Santiago, Ismael Quintana, Chivirico Davila
2nd Session **
Leader / Vocals / Frank “Machito” Grillo
Director – Percussion / Mario Grillo
Conductor / Jorge Millet
Piano / Charlie Palmieri
Trumpets / Victor Paz, Lew Soloff, Tony Cofresi, Charlie Camilleri
Trombones / Barry Rogers, Sam Burtis
Alto Saxophone / Bobby Porcelli
Tenor Saxophones / Lou Orenstein, Mauricio Smith
Baritone Saxophone / Mario Rivera
Bass / Andy Gonzalez
Maracas / Ismael Quintana
Bongos / Tommy “Chuckie” Lopez
Conga / Johnny “Dandy” Rodriguez
Timbales / Nicky Marrero
Coro / Lalo Rodriguez, Ismael Quintana, Victor Velazquez
Special thanks to Victor Paz, Jorge Millet, Mario Grillo, Doug Jones
Translation of “Macho” – First Movement
The singer is Machito.
Machito and the musicians, especially the bata drummers, are evoking the Orisha.
“ ‘Boru ‘buya,” a contraction of the Yorùbá-Cuban greeting “ìbo rú di (ì)’bo ye,” routinely bestowed upon high priests, or babalawo in Cuba. The phrase’s literal meaning is: “The sacrifice that is carried becomes the sacrifice that is suitable.” (Source: “Machito and His Afro-Cubans: Selected Transcriptions”)
“Ashe. Mucho ashe.” – Creative force. Much creative force.
“Suerte y salud para todos mis hermanos.” – Luck and health to all my brothers.
Elegua – Orisha of beginning, of crossroads, of doorways, of fate
Babalu Aye (San Lazaro) – Orisha of the healing spirit, protector of the weak and the ill
Yemaya – Orisha of the Ocean’s surface, of love, fertility and family
Shango – Orisha of thunder, drumming, dancing, fire and male virility
Oshun – Orisha of beauty and sexuality
Obatala – Sky Father and creator of Orishas and human beings, rules all
Great news!
You can now watch this video – and all Spanish language videos – with English subtitles. It’s free!
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Andy Gonzalez & Rumbajazz with Jerry Gonzalez, Pedrito Martinez, Perdomo, and Ivan Renta in Puerto Rico Heineken Jazz Fest 2008.
One of the great musicians of his generation Jerry Gonzalez passed away in accident in Spain. More information coming as we get it.
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.