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Jazz on the Tube is declaring 2020 the “Year of Eddie Durham.”
If you don’t know Eddie Durham (1906-1987), buckle your seat belts. He’s one the the secret sources of the music we call jazz.
Take Eddie out of the equation and a whole lot of things that made jazz jazz would never have happened.
He’s easily one of the most important musicians in the history of jazz and therefore one of the most important musicians in the history of American music.
Whose careers were nourished by Eddie Durham’s genius?
How about these for starters?
The Oklahoma City Blue Devils, Benny Moten, Jimmie Lunceford, Count Basie, Charlie Christian, Lester Young, Glenn Miller – and this is just the short list!
1. Moten’s Swing (1933) – (00:00)
2. Hittin’ the Bottle (1935) – (03:24)
3. Topsy (1937) – (06:24)
4. Good Morning Blues (1937) – (09:38)
5. Swinging the Blues (1938) – (12:26)
6. Countless Blues (1938) – (15:10)
7. Way Down Yonder in New Orleans (1938 – two takes) – (18:07)
8. Jumpin’ at the Woodside (1939) – (24:09)
9. In the Mood (1939) – (27:18)
Documentary about Eddie Durham by the Center for Texas Music History
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Music credit: The Jazz on the Tube podcast theme song is “Mambo Inferno” performed by The Manhattan School of Music Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria from the CD ¡Que Viva Harlem!
The Annual San Marcos Texas, Eddie Durham Tribute Sponsored by the Calaboose African American History Museum
The secret creative “spark plug” behind the success of the Blue Devils, Jimmy Lunceford, Lester Young, Freddie Green, Charlie Christian and Count Basie. Arranger of Glen Miller’s “In the Mood” too!
In 1967, as a seven year old I used to take my 5 year old brother to school and we changed buses at Fillmore and Geary. Public transit. Different times!
Later I lived on California and Fillmore from 1990 to 1998, a glorious time to live in San Francisco.
During that period, I built one of the world’s first online-only museums and it was dedicated to – of course – the history of Fillmore Street.
Every shred of Fillmore’s illustrious jazz history had been stripped away by that point, but bit by bit I reassembled what I could.
Then along came Elizabeth Pepin and Lewis Watts who began an ongoing multi-decade labor of love documenting one of America’s great African-American communities and what at the time was one of the hottest jazz scenes west of the Mississippi.
Their book – now in a brand new addition with 100 brand new pages of photos and text – is luscious.
You can’t understand the history of jazz without having a feel for the “scenes” that made jazz possible and this may be the best capture of a 1940s+ era jazz scene ever.
My fervent wish is that every “scene” find archivists, historians, and story tellers with the same passion and dedication as Pepin and Watts to capture their story while it’s still possible to talk with the people who lived it. This is not just important jazz history, it’s important American history.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Music credit: The Jazz on the Tube podcast theme song is “Mambo Inferno” performed by The Manhattan School of Music Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria from the CD ¡Que Viva Harlem!
Mike Vaccaro, Leader, Tenor Sax, Flute
Gerry Schroeder, Keys
Kevin Axt, Bass, ContraBass
Michael Higgins, Guitar
“Tiki Passillas”, Percussion
Anne Walsh, Vocals
Drums and Percussion
Chris Stevens, Marimba, Percussion
Tom Zink, Recordist
– Ken McCarthy
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
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Jazz on the Tube interviews Mark Stryker, author of the book “Jazz from Detroit.”
I put an exclamation point on this one.
Why?
Because if you don’t know the Detroit jazz story, it’s going to shock you.
But don’t take it from me…
“There is no other city like Detroit: the musicians, the vibe, the people.” – Sonny Rollins
“No city has meant more to American musical culture than Detroit.” – Pat Metheny
You want names?
How about Donald Byrd, Wardell Gray, Paul Chambers, Ron Carter, Howard McGhee, Major Holley, Gerald Wilson, Alice Coltrane, Al McKibbon, Billy Mitchell, Geri Allen, Lucky Thompson, and Kenny Burrell.
And that’s the short list from just one Detroit high school.
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Music credit: The Jazz on the Tube podcast theme song is “Mambo Inferno” performed by The Manhattan School of Music Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria from the CD ¡Que Viva Harlem!
1. Tom Turpin – St. Louis Rag (1903) – (00:00)
2. Charles Creath – Buttefinger Blues (1927) – (02:50)
3. Frank Trumbauer – Trumbology (1927) – (05:50)
4. Jimmy Forest – Night Train (1952) – (08:52)
5. Miles Davis – If I Were a Bell (1956) – (11:51)
6. Clark Terry – Undecided (1959) – (20:00)
7. Grant Green – Idle Moments (1963) – (23:14)
8. Charles “Bobo” Shaw/Joseph Bowie/Luther Thomas – Sequence (1979) – (38:06)
9. Hamiet Bluiett – Oasis (1981) – (40:34)
10. Lester Bowie – I Only Have Eyes for You (1985) – (46:14)
11. John Hicks – After the Morning (1985) – (54:10)
12. Greg Osby – Please Stand By (2008) – (01:04:00)
13. Oliver Lake – Spirit (2010) – (01:12:12)
14. Human Arts Ensemble – Under the Sun (1976) – (01:18:29)
– Ken McCarthy
Jazz on the Tube
P.S. Our unique programming is made possible by help from people like you. Learn how you can contribute to our efforts here: Support Jazz on the Tube
Thanks.
Music credit: The Jazz on the Tube podcast theme song is “Mambo Inferno” performed by The Manhattan School of Music Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria from the CD ¡Que Viva Harlem!
